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Soft Cell's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell alongside Marc Almond at Leeds in 1977

Dave Ball, one half of the groundbreaking 1980s electronic music band Soft Cell, has died at the age of 66.

Alongside singer Marc Almond, the duo scored a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their first record their initial full-length release is regarded as a seminal work of synth-pop.

He later formed the pioneering electronic act The Grid, who achieved popular acclaim with 1994's the hit Swamp Thing.

Ball died calmly in his rest at his home in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Recent Health Challenges

At that performance, Ball performed in a wheelchair, as he had for the last two years, following a period of ill-health.

"I managed to damage myself significantly," he commented in 2023. "I fractured lower vertebrae in my back and cracked about five ribs and fractured my arm."

Following contracting pneumonia and suffering from blood poisoning, he was placed in an induced coma and stayed in hospital for half a year.

Nevertheless, he had been in "a great place emotionally" during the warmer months, as he was developing a new album with Almond, called the upcoming Danceteria, which is scheduled for publication in the coming year.

"He was concentrated and very pleased with the new album that we actually finished only a few days ago," said the singer in a heartfelt message.
"It's truly heartbreaking as 2026 was completely planned to be such an uplifting time for him, and I find comfort from the fact that he heard the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the electronic music scene in the beginning of the decade

Tributes

Almond referred to his bandmate as "an exceptionally talented creative mastermind", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an significant part of my existence and for the music you created with me. I couldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, remembering Ball's "constant humor" and "steadfast support".

"Being in a duo with someone is distinct from joining a band, the connection is very tight," he added.
"That's how it was with us. We experienced so many extraordinary, incredible, memorable moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in 2018

Early Life

Brought into the world into a one-parent family in Chester in the late 50s, Ball was put up for adoption when he was a year and a half of age.

He was raised in the seaside town with his new family Donald and Brenda Ball, who altered his given name from Paul to his adopted name, alongside his younger sister his sister, who was also adopted.

He encountered Almond at an art college in the late 70s, where they were both learning fine arts. Inspired by a mutual passion of Northern Soul, they established Soft Cell the very year, and promptly recorded an extended play.

Musical Partnership

The duo were an unusual pairing: Ball was the quiet musician, hunched over his keyboard, while Almond was a flamboyant performer, all glitter and makeup; but they achieved a rare musical alchemy.

Ball had cultivated a fascination with synthesizers after watching Kraftwerk appear on BBC program Tomorrow's World, and started to combine moody electronic sounds to the soaring melodies Almond was composing.

Their signature song became the United Kingdom's second most popular song of 1981, shifting 21 million copies worldwide. Together with successful tracks by Gary Numan, contemporary bands and electronic acts, it contributed to paved the way for the electronic music style of the 80s.

The song was also featured on their full-length debut, their initial LP, which produced two further top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which peaked at the second position in the following year.

Soft Cell in the studio
The pair were working on new material until just before Ball's passing

Career Highlights

Fame had its benefits. "I loved being able to afford my first home, having financial security and travelling, which might seem like a Miss World," Ball recently shared with a publication.

But it also caused problems. "Sudden riches meant we could afford newfound drugs to alleviate the monotony" of press appearances and TV performances, Ball explained.

"I realize that's a cliché, but it's a truism for a good reason, because it works for so many musicians."

During the hedonistic lifestyle, the pair were also growing distant, but they managed to produce a follow-up classic album - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They put out another album, 1984's This Last Night In Sodom, before ending the group to concentrate on other projects.

Almond proceeded to have a prosperous individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with ambient pop over a enduring collaboration.

Reunions and Final Projects

Soft Cell came back together in 2001, producing the charting album Cruelty Without Beauty.

Following another break, they returned in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the large venue on September 30, 2018.

Yet, they stayed active, creating their latest project, Happiness Not Included, during the pandemic restrictions.

Ball recently described the duo's new album as a homage to the NYC nightlife they frequented while making their initial records.

He added that his period in medical care had shaped the band's sound.

"I experienced strange recollections when I was in and out of hospital because I was on morphine," he told a music magazine.
"The new songs are a electronic representation of the sounds in my mind from those days.
"In parallel, it's about the times me and Marc got up to in the 1980s."

The final mixes were finished only days before Ball passed away. It is due for release in the spring of 2026.

The writer

Rebekah Wall

Elara is a tech journalist with a decade of experience covering digital innovations and cybersecurity trends across Europe.

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